A minimalist painting of the sort that I often resist -- namely, high contrast. Not sure why, since I love high contrast in a painting. Maybe I'll do some more.
Here's a little abstract using leftover paint from the palette I chose for another bird painting I've been struggling with. I like the abstract, though. In fact, I think it looks good enough to eat.
The sun came out the other day and so I worked on this palette knife plein air sketch until the cold air forced me back into my car. The grassy hills are intensely green now, after all the recent storms.
Not my usual subject matter, but I've been thinking a lot about birds lately. There are so many exotic species in the world, and this one, an American flamingo, is among my favorites.
This painting was done from a photo I had taken at Ellis Creek not too long ago. I painted it with a palette knife, except for the swan and the slim tree trunks in the mid-ground, for which I used a brush. The black area surrounding the swan was left unpainted, having been primed with black gesso.
From a recent foray to one of my favorite spots in Petaluma. The subtle color variations are so beautiful to me, especially when set against a gray sky.
I upgraded my iPad recently and noticed my go-to art app, ArtRage, had been upgraded as well. This is my first digital painting in a square format, an unexpected perk of the upgrade. I've only been able to produce digital art in a 10" x 14" format, for which I could choose either portrait or landscape perspective and nothing more. Now that they've added the square format and a few other nice features (along with a few frustrating setbacks, imho), I'll be doing a lot more square digital paintings. Now, if they would only upgrade again and actually give the artist complete control over format . . .