This little study of a black tulip may get painted again as a larger version, but for now, and for the sake of sanity, I've decided to stick with little paintings that can be finished in a short session or two. It's simply too frustrating to not have at least 4 hours/day to delve into painting like I had a few years ago. Maybe one day I'll have the luxury of uninterrupted hours at the easel. I can dream, can't I?
This painting of a sunflower aptly expresses my mood lately. Having been fully vaccinated against COVID-19, I can now look forward to seeing friends and making plans for a trip later this year. Sunflowers are symbols of hope, and I am feeling more hopeful and optimistic than I have in quite some time.
This painting of a Galah cockatoo was started a few weeks ago, and then I was pulled away from my easel for a work project. By the time I returned to it, I was in quite a different frame of mind from when I started. For me, it is of prime importance to have a sense of continuity when painting, which is why I tend to prefer working alla prima (i.e., finishing a painting in one session). I don't have that luxury right now, so I have to work with things as they are. Still, I quite like this little guy. It's not his fault he got neglected in the process.
This is a painting done strictly from my imagination. I usually work either from life or a reference image; this was just me playing with color, as I love to do. I did another one of these flower paintings from imagination in 2017, hence the title. They're fun and satisfying, especially when I don't have a good chunk of time to devote to painting, which was the case these past two weeks.
I was pulled away from my easel this past week on a project at work, and whenever that happens, I tend to choose simple subjects to get me back in the swing of it again. This little duck is native to northern Eurasia, and I just love his violet sheen and bright little yellow eye.
