Sunset in Seco

 

oil on panel, 12" x 12"

Here's another painting from New Mexico. I used to drive by this scene in Arroyo Seco on my way to  Taos Ski Valley, and as the sun was setting, it would light up Taos Mountain with shades of pink, crimson, and maroon as the sun slowly sank out of sight, giving credence to the monicker Sangre de Cristo.

Casa Azul with Taos Mountain, Early Spring

oil on panel, 10" x 10"

This is the view I had from my kitchen window in Arroyo Seco, NM.  This scene frequently mesmerized me with the ever-changing moods of that mountain.  It seemed like a living, breathing thing.

Winter Garden

 

acrylic on canvas, 12" x 16"

This is a winter scene from the property in Arroyo Seco, New Mexico where I lived in 2018.  It was a magical 4-acre property, a sculpture garden with both natural and man-made sculptures dotted throughout, one of which (a wood totem) is visible beyond the stream on the right.  

The Road to Seco

 

oil on panel, 12" x 16"

It's back to New Mexico with this colorful scene of an unpaved road I frequently took to the charming little village of Arroyo Seco on my way to Taos Ski Valley to commune with the mountain.  New Mexico is rich in color, with the most amazingly deep azure sky as a backdrop.  

Sting Me!

oil on panel, 18" x 18"

This is the first in what I hope will be a series of paintings of my little dog Lola.  She is an extraordinary zen-like being and it's been difficult to capture her special essence with a camera, much less a paint brush, but I feel satisfied with this one.  She came through for me very early on in the process, and so I've left her face untouched in places from the first go round.  

Chamisa

acrylic on canvas paper, 9" x 12

An aerial view of chamisa, a beautiful, fragrant shrub and a common sight in New Mexico.  It makes for a fun color study.

Green Adobe with Chamisa

oil on panel, 12" x 12"

After a long hiatus, I'm finally able to start clearing some time for painting again.  Other obligations pulled me away as I was starting this one, so its trajectory was interrupted and, although I worked it to some sense of completion, I can't help wondering how different it would have turned out had I been able to work it from start to finish in one or two back-to-back sessions.  This is a corner of a modern adobe home I often drove by on my way to and from Arroyo Seco, a charming little village in New Mexico between Taos and Taos Ski Valley.  I loved the pale green color of the walls of this home set against the citron yellow of the chamisa blossoms, with the latilla ladder leaning against a wall, and the peak of Taos Mountain just "peaking" over the home.  This is a quintessential Southwest scene, at least to my eyes.