A quick palette knife portrait of three sheep at Covelo Ranch, painted from a photo because sheep, like horses and cows, do not sit still long enough to have their portrait painted.
This was done in the studio from a photo I had taken at the ranch, and I loved the subtle layers the mist made out of the distant hills. I'm not quite done with this one, but will not be able to get back to it for a few days. Who knows, it may be finished now. I never know these things. I find it helpful to sit with a painting for as long as it takes to receive the answer to that question. I've heard it said you never finish a painting; you just stop working on it.
This started as a plein air painting which was finished later in the studio. I wanted to paint the sheep relaxing in the white flowered grass, against the subtle color variations in the trees beyond, but as soon as I set my gear up, they were gone. How dare they! Luckily, I took a photo where some of the sheep were still lingering and used it as reference for the studio work.
This palette knife painting was done on site at my friends Ron and Marilyn's ranch in Covelo, looking south to a brown barn just over the property line that Ron had built and lived in years ago.
I'm back at Covelo Ranch, where sheep abound, getting some practice painting their sheep shapes so that when I attempt a plein air painting in the spring I will have a better handle on it. Sheep, like cows, move surprisingly fast when you're trying to capture their essence.
Another barn painting, this time on Davis Lane in Penngrove. The two sheep were hunkered down against this beautiful barn, perhaps awaiting a storm. The sheep, the gorgeous barn, the sunlight on the distant hills and that neon yellow mustard field in the mid-ground all begged to be painted!