Field of Dreams

oil on canvas panel, 9" x 12"

A simple abstracted palette knife landscape here using a limited palette of pthalo green, cad yellow medium, cad orange, cyan blue, and titanium white.  These color field exercises help to divorce me from labels and the conditioned impulse to define what I'm doing.  I find the process very freeing.

Ellis Creek in Autumn

iPad painting, 10" x 14"

A quick digital impression of Ellis Creek I did the other day while on a walk with the dogs.  It started to rain, so I just had time for the basics.

Fire and Ice

acrylic on canvas, 24" x 18"

With this painting I was trying to develop an earlier idea in a marriage of hot and cold, as in the heat of a setting sun reflected on an icy lake.  I tried to work fast with this one, using a brush in each hand to speed things up, and I must say it was really fun!  

Egret at Ellis Creek

oil on canvasboard, 6" x 12"

I started on this palette knife painting from a photo I had taken at Ellis Creek, but had to finish it from memory when my computer crashed last Tuesday.  It had just rained after a long dry spell and there was a carpet of mustard flowers in the mid-distance that I just loved, not to mention the beautiful snowy egret standing in the shallow water.

Finnish Forest

acrylic on canvas, 24" x 18"

I'm working off an old computer to post this painting, as my laptop crashed last Tuesday and is still in the repair shop getting a new hard drive.  This was an attempt at an abstracted landscape, with just memory and imagination as my guide.  I wanted to see verticals, for some reason, and thought of birch trees, of which there are many in Finland, or so I hear.

Green Barn

oil on canvas panel, 8" x 10"

A quick little palette knife study of an old green barn that I intend to paint larger and in a slightly different format at some point.  This was an experiment to arrive at the palette I wanted to use for it, in this case opting for cad yellow light, transparent orange oxide, napthol red, cyan blue, and ultramarine blue, plus white.  I have amassed quite a number of barn paintings by now, an ongoing homage not only to what they symbolize -- shelter and protection for animals -- but also as an expression of gratitude, since they have served me well as art studios in the past.

Sunset Study

iPad painting, 14" x 10"

This is a study I did as a warmup for an organic painting I have in mind.  Here, I'm playing around with design and searching for the palette I want to use for it.  I've been using a limited palette on all of my recent paintings, which changes from painting to painting.  I try to use between three and five colors, plus white, for each -- colors I choose according to the dictates of each particular motif I have in mind.

On a separate note, I have four of my digital paintings on display and available for sale at a local venue here in Petaluma, the Aqus Cafe, through 2/26/2017.  They are each printed on a 5" x 7" metal sheet and wall mounted, and can be printed larger by request.

Resting Holstein

iPad painting, 10" x 14"

I've had cows on my mind a lot lately.  I love the high contrast patterns formed by cows set against the local landscape.  I am especially drawn to the Holsteins, but I love them all for their peaceful spirits.

White Orchids

acrylic on canvas, 8" x 16"

Here is another addition to my white flower series.  I dropped the ball for a while on these white flower paintings, which I enjoy doing, but I have a few more in mind before I move on to other still life themes.

Finn

oil on cradled panel, 6" x 8"

This is a portrait of my brother's little mini-dachshund, Finn, another palette knife painting.  I used a brush only for the highlight on his eye.  The reference for this commission was a photo my brother had taken, and so I felt obliged to be faithful to it.  If I had used a photo that I had taken and that my brother had not seen, I would have felt much freer in my interpretation.  I typically shy away from commissions, but  I love my brother and so I was happy to do as he wished.

Icelandic Horse

acrylic on canvas, 30" x 15"

I've been playing with a new limited palette lately, the one for this portrait made up of Prussian blue, napthol red, cad yellow light, and titanium white.  

Scarlett

iPad painting, 14" x 10"

This digital portrait was done from a photo I stumbled on while searching for something else.  It was another artist's painting, I believe, but I could not track down the artist.  I found the portrait mesmerizing and felt compelled to create my own digital version of it.

Fall on Fire

oil on canvas, 6" x 8"

I suppose this little ditty could be called an abstracted landscape.  I used up every scrap of leftover paint on my palette to cover the canvas, thinking at the start about a photo I had just viewed of Central Park in the fall.  Soon after I began, however, the color relationships took over, and I dropped that idea.  I see Wolf Kahn's influence yet again.  

Update, 1/8/2018:  Extensive additional information on Wolf Kahn and his work can also be found here at www.artsy.net.

Wilson Hill Road Scene II

oil on canvasboard, 6" x 8"

Another plein air study, this one done from the same pullout along Wilson Hill Road in the Chileno Valley area west of Petaluma, but of a slightly different section of the view.  I intend to revisit this spot again soon, to focus on those beautiful black and white Holstein cows that frequently pass through this valley.  

Supermoon

oil on gessoboard panel, 6" x 8" 

This is my first attempt at a nocturnal plein air painting, again using only a palette knife.  I really wanted to capture that big round ball of a moon from the vicinity of my art studio, so I tried to work fast and furious as it was rising in the east over the hills of Sonoma.  While my lighting setup enabled me to see the panel well enough (the light source was set on a chair), my palette was in shadow throughout, and so I had to later adjust the values in the studio.  What a challenge!  

Brown Barn

acrylic on canvas, 12" x 16"

This is a palette knife painting in progress for which I used a reference photo.   Just a few more tweaks here and there, mostly to the mid-ground areas, and I'll call it done.  I do like the overall color harmony in this one, which plays well off the color of the barn.  Updated on 11/21:  the tweaks are in, and I'm calling it done.

Tomales Bay Ridge

oil on gessoboard, 6" x 8"

A palette knife plein air study done from a pullout overlooking Tomales Bay.  

Wilson Hill Road Scene

oil on canvasboard, 6" x 8"

This quickie palette knife plein air study was a race to capture the golden light of dusk before being engulfed in darkness yesterday.  I really wanted to capture the Holstein cows grazing in the foreground but didn't have time.  I hope to return to this spot soon and allow more time to get it done.  Still, it was a good workout.

Gretchen's Near

oil on canvasboard, 12" x 9"

This is a palette knife study of still water and background values.  I'm quite drawn to distant hills and live in an area that is full of variety in that respect.  This scene, though, reminds me more of those rugged karsts of Guilin, China.

Eucalyptus Stumps

iPad painting, 14" x 10"

A ten-minute sketch done while walking the dogs.  I love the various subtle colors to be found in eucalyptus trunks.