This is a plein air study I did at my new favorite spot, Ellis Creek. I plan to paint that particular scene again, as I am mesmerized by all the colors in the water.
This was painted from a live model last weekend in a 2.5 hour session. There were two models and I wish I could have painted both, but I ran out of time.
Another portrait, the result of a 2.5-hour session, this time in oil. As an exercise, I forced myself to do it entirely with a palette knife. I used two knives to create this one. The sitter was an exchange student from Beijing.
More green and pink! I love the pairing of a hot pink with a cool green. In fact, I love the pairings of all complementaries where one is hot and the other cool.
I seem to have spring on my mind a lot lately, and when I think of spring, I think of green and pink. This painting is a scene alongside the River Lynher in a little piece of paradise called Bathpool, which is located in Cornwall.
This was an exercise in painting material, something I've been doing a lot lately and loving. Here I was playing with the abstract shapes made by the folds of satin, wondering how far I could push it.
There were two little bulls, siblings, that I got to know a wee bit when they were kept in the corral attached to the art studio I had in Sonoma. I added the third in this painting just to balance the composition.
This past weekend I took a wonderful workshop taught by Peggi Kroll Roberts, with the focus on still life and figurative. This little painting I completed from memory later on in my studio, as I had not taken a photo of the model during her sitting and only had a rudimentary sketch to work from. She was a great model to work with; unfortunately, I could not remember how her hand was placed and so now it seems to be lost under the folds! If and when I find that hand, I will update this post, but for now, time to move on.
This is my impression of the countryside surrounding Petaluma in January this year. I was painting outdoors yesterday and it felt like the middle of summer. Bizarre!