This little plein air palette knife study was done the other day in late afternoon at a pullout near the little town of Inverness, my second attempt at this scene, albeit a different time of year.
This was an interesting exercise. I started this painting on an unprimed panel and when I paused and stepped back, I realized the color of the panel itself was well suited to the composition and so I left parts of it unpainted, particularly on the left side.
This painting was done from a photo I had taken at a pullout along Shoreline Highway, just north of Point Reyes. It was either at or near Millerton Point, but I can't be sure. I loved the halo of light violet behind the black cow provided by the distant hills.
This is an unretouched palette knife sketch (rare for me!) of a scene I've been wanting to paint for a long time. I'm hoping to return to the scene for another go at it, a constantly changing colorama. Update, 10/23: I have replaced the unretouched image I had posted originally with the current one, having tweaked it here and there.
It was so hot in Petaluma yesterday, I grabbed the pups and drove to Point Reyes, where it was 13 degrees cooler. This sketch was a real quickie, less than 10 minutes, executed while we all sat in comfort on a bench in the shade as I gazed at this scene.
I painted this sketch from a photo because I loved the shape of these trees with their pale trunks and wanted to see blue and yellow together, another color pairing favorite of mine.