I recently spent a few days painting at Goleta Beach, just north of Santa Barbara, with Marcia Burtt, hoping to glean a few pearls of wisdom from an absolute master. In the two plus days I had with her, I started five paintings and finished none. This was my last effort, the result of a two-hour session on the morning of my return home. I worked on it for another two hours in the studio, until I was done with it and the next unfinished painting called out to me. More to come.
This was painted while my housemate and friend Christine was having breast reconstruction surgery after breast cancer. It is going to live with her now, and I am very pleased.
A little sketch of a beautiful and very tired feral cat who adopted us at Waldruhe Heights back in 2006. BJ stood for Bonzo Junior, Roy's dog, and also Betty Jo, a dear friend of his.
Yet another painting in my China series. I used a very limited palette of only 4 colors for this one, trying to create atmosphere and depth in the background.
Nelligan Road is a gorgeous road outside the town of Glen Ellen, Sonoma County. Roy and I lived at the end of the 4-mile-long road, and I gawked at this scene daily.
I was just playing around with this study from a found photo of someone else's painting -- whose I have no idea, but was drawn to the purple sky at first. Sky can be any color imaginable -- in fact, the sky's the limit!
Another in my China series, this painting no longer exists, except for the rock formations in the foreground. I worked on this a few months ago and was not happy with it but vowed to rework it. I thought I would post it just for the record.
This painting started as an abstract, but of course I couldn't leave well enough alone, and before I knew it, I was channeling Wolf Kahn. This time I had the sense to leave well enough alone. Update, 1/7/2018: Extensive additional information on Wolf Kahn and his work can also be found atwww.artsy.net.
This is a plein air painting I did the other day from the roadside just outside the town of Bolinas, looking across the lagoon to the wilderness beyond. It is a spot I will return to again because it is a scene of such staggering beauty.
A plein air sketch that I started tweaking in the studio, then stopped because it all started to go pear-shaped. I couldn't remember how I mixed the colors that day by the pond, and once you start in with a slightly different palette, there's no end to the changes that ensue. I liked some things about this effort sufficiently to want to preserve them. So, I chalk this one up to a successful learning experience. Onward!
This is an attempt at a seascape. I battled with it mightily and perhaps should have stopped after the first session, as my paints had dried and I had to remix an approximation of the palette, which changed everything, of course. Another challenge was presented by the yellow ochre ground on the canvas I had chosen. I loved the yellow ground peeking through as the painting emerged, especially in the mid ground on the right. This is not an accurate image of the painting, colorwise, and I may not be done with this one. I need a break from it, though, and to come back with fresh eyes.
This is a plein air sketch I did last weekend at Marcia Burtt's property in Southern California. She is a fantastic artist, a gracious host, and a fountain of knowledge, which she shares generously. I had a great time with her.
This is a quick little palette knife sketch of the view from my studio in Penngrove in the early morning. I'll be doing a larger version of this scene at some point this summer.