Another palette knife oil painting, a bunch of peonies I got from Trader Joe's. I used a brush for the Japanese symbol for spring on the vase and also my siggie. I love peonies!
For some reason, the acrylic color of violet oxide does not translate well to digital media. I used it to paint the background hills here, and tried every which way to get the color of those hills to read accurately online, to no avail. A live viewing of this painting will show the hills to be less purple, more reddish, and slightly paler. This problem seems to happen only with violet oxide, but it is one of my favorite mixing colors. What to do, what to do.
The latest portrait from a 2-hour session last Tuesday. The sitter was a good friend of mine, Erin Parsley. This is my first attempt at painting someone I know, a thing much harder to do, I discovered, than painting a stranger. Funny, that.
Another in what has become my "white flower" series. I'm going through all the white flowers I can think of to paint, all because I enjoy painting the shadow areas. It's fun to paint a non-white color that still reads as white within a greater context.
This may be my last oil painting using a brush, unless I can figure out a way forward without using mineral spirits. I used both brush and palette knife on this one, but from now on, it will be palette knife only with oils, since the mineral spirits have been talking to my kidneys. It saddens me because I do love working with oils using both brushes and knives together to make a painting. It's not the end of the world, since I can do that with acrylics, and if I had to choose one medium, it would probably be the plastic one; the colors are just so dynamic
This is a plein air study I did at my new favorite spot, Ellis Creek. I plan to paint that particular scene again, as I am mesmerized by all the colors in the water.
This was painted from a live model last weekend in a 2.5 hour session. There were two models and I wish I could have painted both, but I ran out of time.
Another portrait, the result of a 2.5-hour session, this time in oil. As an exercise, I forced myself to do it entirely with a palette knife. I used two knives to create this one. The sitter was an exchange student from Beijing.
More green and pink! I love the pairing of a hot pink with a cool green. In fact, I love the pairings of all complementaries where one is hot and the other cool.
I seem to have spring on my mind a lot lately, and when I think of spring, I think of green and pink. This painting is a scene alongside the River Lynher in a little piece of paradise called Bathpool, which is located in Cornwall.
This was an exercise in painting material, something I've been doing a lot lately and loving. Here I was playing with the abstract shapes made by the folds of satin, wondering how far I could push it.
There were two little bulls, siblings, that I got to know a wee bit when they were kept in the corral attached to the art studio I had in Sonoma. I added the third in this painting just to balance the composition.
This past weekend I took a wonderful workshop taught by Peggi Kroll Roberts, with the focus on still life and figurative. This little painting I completed from memory later on in my studio, as I had not taken a photo of the model during her sitting and only had a rudimentary sketch to work from. She was a great model to work with; unfortunately, I could not remember how her hand was placed and so now it seems to be lost under the folds! If and when I find that hand, I will update this post, but for now, time to move on.
This is my impression of the countryside surrounding Petaluma in January this year. I was painting outdoors yesterday and it felt like the middle of summer. Bizarre!
Lately, I've been attending weekly 3-hour drop-in portrait sessions here in Petaluma, this being my 5th one. I'm really enjoying the experience and hanging out with a good group of artists. If this becomes a regular thing, I may start a separate blog devoted to portraits and figures.
This was an exercise in neutrals that didn't turn out as expected. Because acrylics lean toward the center values when they dry, it's hard to get the subtle value shifts accurate. I still like the effect, though, and might try a larger version of this one.
This was done from memory, after a visit to Shollenberger Wetlands on a magical day of swan sightings. I am left handed, but I did this one with my right hand while lying half asleep in bed on my left side.
A portrait of Rose and her extraordinary Katrina rescue dog Bouncie, who passed away in 2014. I took the photo of this in too-dim light, so the image is not very good. Will try to get a better one and update it soon.